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"Keep the lights off," said Kawakita sharply. "Follow me."

I will have more for you on Tuesday, Kawakita said.

The final piece of the puzzle fell into place when he remembered what that cop, D'Agosta, had mentioned at the going-away party for the FBI agent: that they had found a double-arrow pendant belonging to JohnWhittlesey in the creature's lair. Proof, they said, that the monster had killed Whittlesey.

The man nodded. "Gratifying," he said slowly, as if tasting the word.

But then civilization came anyway, with all its terrors. Kawakita imagined the day it happened: the Whittlesey-thing, crouched in the jungle, seeing the fire come falling from the sky, burning the tepui, the Kothoga, the precious plants. He alone escaped. And he alone knew where the life-giving fibers could still be found after the jungle was destroyed: He knew, because he had sent them there.

The man nodded. "Gratifying," he said slowly, as if tasting the word.

"Keep the lights off," said Kawakita sharply. "Follow me."

But Kawakita would not fail. The rabbit serum tests proved that he would succeed.

They walked to the far end of the warehouse. There, a long table had been set up under dull infrared lamps. The table was covered with drying fibers. At the end of the table was a scale. Kawakita scooped up a small handful of fibers and weighed them, removing several, then dropping a few back on. Then he slid the fibers into a Ziploc bag.

It's dark in here, the man said. He was small and wiry, and walked with a distinct roll to his shoulders. He looked around nervously.

Not here said Kawakita.

The final piece of the puzzle fell into place when he remembered what that cop, D'Agosta, had mentioned at the going-away party for the FBI agent: that they had found a double-arrow pendant belonging to JohnWhittlesey in the creature's lair. Proof, they said, that the monster had killed Whittlesey.

It's dark in here, the man said. He was small and wiry, and walked with a distinct roll to his shoulders. He looked around nervously.

But then civilization came anyway, with all its terrors. Kawakita imagined the day it happened: the Whittlesey-thing, crouched in the jungle, seeing the fire come falling from the sky, burning the tepui, the Kothoga, the precious plants. He alone escaped. And he alone knew where the life-giving fibers could still be found after the jungle was destroyed: He knew, because he had sent them there.

Once he reconstructed what Frock and Margo had done with his program, everything else fell into place. All he'd needed was to find one of the fibers. But that proved a difficult task. The Secure Area had been painstakingly cleaned, and the crates had been emptied of their artifacts and burned, along with the packing material. The lab where Margo had done the initial workwas now spotless, the plant press destroyed. But nobody had remembered to clean out Margo's handbag, which was notorious throughout the Anthropology Department for its untidiness. Margo herself had thrown it in the Museum incinerator several days after the disaster, as a precaution. But not before Kawakita had found the fiber he needed.

The computer gave the creature: He Who Walks On All Fours.

Despite his other trials, the supreme challenge had been growing the plant from a single fiber. It had taxed all his abilities, his knowledge of botany and genetics. But he was channeling all his ferocious energies into one thing now-thoughts of tenure vanished, a leave of absence taken from the Museum. And he had finally achieved it, not five weeks earlier. He remembered the surge of triumph he felt when the little green node appeared on an agar-covered petri dish. And now he had a large and steady supply growing in the tanks, fully inoculated with the reovirus. The strange reovirus that dated back sixty-five million years.

"Keep the lights off," said Kawakita sharply. "Follow me."

Kawakita remembered clearly the day everything came together for him. It was an apotheosis, a revelation. It explained everything. The creature, the Museum Beast, He Who Walks On All Fours, was Whittlesey. And the proof lay within his grasp: his extrapolation program. Kawakita had placed human DNA on one side and the reovirus DNA on the other. And then he had asked for the intermediate form.

Kawakita remembered clearly the day everything came together for him. It was an apotheosis, a revelation. It explained everything. The creature, the Museum Beast, He Who Walks On All Fours, was Whittlesey. And the proof lay within his grasp: his extrapolation program. Kawakita had placed human DNA on one side and the reovirus DNA on the other. And then he had asked for the intermediate form.

"Keep the lights off," said Kawakita sharply. "Follow me."

Proof. What a joke. Proof, rather, that the monster was Whittlesey.

In the close, comforting darkness, listening to the tranquil humming of the aquaria, Kawakita could guess at the drama that had played itself out in the jungle. The Kothoga, laying eyes on a white man for the first time. Whittlesey's accomplice, Crocker, had no doubt been found first. Perhaps the creature had been old, or enfeebled. Perhaps Crocker had killed the creature with the expedition's gun as the creature disembowelled him. Or perhaps not. But when the Kothoga found Whittlesey, Kawakita knew there was only one possible outcome.

Despite his other trials, the supreme challenge had been growing the plant from a single fiber. It had taxed all his abilities, his knowledge of botany and genetics. But he was channeling all his ferocious energies into one thing now-thoughts of tenure vanished, a leave of absence taken from the Museum. And he had finally achieved it, not five weeks earlier. He remembered the surge of triumph he felt when the little green node appeared on an agar-covered petri dish. And now he had a large and steady supply growing in the tanks, fully inoculated with the reovirus. The strange reovirus that dated back sixty-five million years.

Thank you, the man whispered, and left. Kawakita closed the door and slid the bolt back in place. It had been a long day, and he felt bone tired, but he was looking forward to nightfall, when the sounds of the city would subside and darkness would cover the land. Night was rapidly becoming his favorite time of the day.

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